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Showing posts with label New and Noteworthy. Show all posts
Showing posts with label New and Noteworthy. Show all posts

Wednesday, August 26, 2015

Department of Responses and Cool Ideas: More From The World Of Academic Publishing

Here's some follow-up to Wednesday's post on reforming scholarly publishing practices:

*As a cosmic reminder that some journals do not live to torture us, yesterday I received notice that an article had been un-ambivalently and swiftly rejected by a top journal. Right on! They turned it around in less than a month. Follow-up question: When an article is rejected, what do you do, dear? Answer: Thank the editors sincerely for their professionalism in letting you know so fast, and so politely, and send it off immediately to a specialty journal.

Another question: do the editors of this journal read Tenured Radical? Were they making a point? I posed this question at home and it was strongly inferred that my ego was wandering way off the reservation. Again.

*A friend who is a senior scholar and an experienced journal editor wrote in response to the post to say that s/he was in complete disagreement about eliminating "revise and resubmit" as a category. To elaborate: "some of our best...pieces [are] the result of great reviewer direction and energetic author redrafting. To do away with that would effectively close out grad students from journal article publishing, and they do some of the best work." That sounds right to me, so let me refine my critique: readers should not use the category of "revise and resubmit" when they really mean "reject." How's that for a fair compromise?

*One of the quickest turnarounds I have ever experienced was editing a round table on feminist blogging for the Journal of Women's History. From the time the proposal was accepted to it's forthcoming appearance in winter 2011 (subscribe now and reserve your copy!), it will have taken 18 months, only six of which will have been devoted to the publishing process (as opposed to writing, editing and review.) Does the increase in "special issues," clusters and round tables suggest that many hands make light work? Is it possible for journals to squeeze the time frame on publication without sacrificing quality by committing to relevant topics that demand timely publication? What might this teach us about the possibilities for shortening the publication timetable for articles that come in over the transom?

*There is an argument to be made for publishing a variety of pieces that have no central theme or connection, particularly in prominent journals, published by professional associations, that by necessity speak to very diverse audiences. The biggest complaint I received, across fields, was that by the time work actually appears in journals it is often longer cutting edge, or the book project that it is part of has appeared. So how about if journals just held their referees to a faster timetable, and also used the Internet to publish shorter pieces, or articles that actually need to come out quickly or have their relevance eroded? Forums, like the ones you have seen here on this blog, could also pick up on exciting books that people need to know about now -- not two years from now; and book reviewing could be entirely web based. Over half of the pages in two top journals in my field are filled with book reviews -- books that came out years ago.

*When in doubt, start a cool new journal. Joan Wallach Scott tops the masthead of History of the Present: A Journal of Critical History; you will see a few other members of the Differences crowd on the editorial board. For those of you not on the H-Net Announcements listserve:

History of the Present is a journal devoted to history as a critical endeavor. Its aim is twofold: to create a space in which scholars can reflect on the role history plays in establishing categories of contemporary debate by making them appear inevitable, natural or culturally necessary; and to publish work that calls into question certainties about the relationship between past and present that are taken for granted by the majority of practicing historians. Its editors want to encourage the critical examination of both history’s influence on politics and the politics of the discipline of history itself.

'Tis a journal after the Radical's own heart. Good luck and God Bless, that's what I say. It's biannual, and issues will be carried by JSTOR as they are published, so no more paper coming will be into your home -- unless you have a journal fetish and you want it to do so.

Wednesday, April 22, 2015

It Takes Dos Testiculos To Rule The Known World: A Brief Comment On "The Borgias"

Jeremy Irons as il papa:  Don't touch his junk, hear?
Q:  What do you do when you discover that your Benedictine confessor is actually a Vatican spy, and you have just confessed your plan to have the King of France invade the Italian Peninsula to topple the papacy?

A:  Take advantage of the screen in the confessional and stab him in the eye with a stiletto.

History fans will be pleased to know that the producers of The Tudors have debuted a series on late fifteenth century Italian politics, religion and family governance issues that make your problems look ridiculous.  The Borgias stars Jeremy Irons as Rodrigo Borgia, or Pope Alexander VI, father of Cesare (pronounced CHAY-za-ray) and Lucrezia, reputed to have been incestuous lovers.  Certainly the series has strongly hinted at incest:  how many grown-up brothers stroke and kiss a sister on her wedding night?  I ask you.

So far, it is 1492 or so, and we have met Niccolo Machiavelli, who is working for the King of Florence; an anonymous Native American snatched by Christopher Columbus; the serial killer son of the dotty and deaf King of Naples (this happy princeling displays corpses in his own little rotting Last Supper tableau); too many scheming cardinals to name; and Savanarola, a Dominican friar who looks like Uncle Fester.  You don't even have to look it up on Wikipedia to know that this latter fellow is heading for a heresy trial and worse.  However, if you do click on that link you will find that Savanarola was not only excommunicated and tried, but racked mercilessly and then burned into bits too tiny to be used as relics, which served him right because he may also have been responsible for the first act of institutional homophobia.  In true Foucauldian fashion, prior to burning him, "the torturers spar[ed] only Savonarola’s right arm in order that he might be able to sign his confession."  Brilliant.  I wish I had thought of it myself.  They knew how to keep order in the fifteenth century.

The success of such shows is part of an interesting phenomenon:  the rise of religion on TV.  In a recent post about Friday Night Lights, another one of my favorite shows, Flavia writes about unusual it is to watch a television show about modern life that takes Christianity for granted.  "All of the characters appear to be nondenominational Protestants and some of their churches are clearly megachurches," she notes; "but nothing about their religiosity is depicted snidely or ironically or played for laughs. At the same time, the church-goers aren't romanticized or presented as unusually good people. They're just people: flawed, complicated people, trying to live up to their professed pieties. And as realistic as all that sounds, I'm pretty sure I've never seen anything like it on t.v."

That might be right, and may say something about the ways in which subcultural Christian media are going mainstream. Army Wives certainly has its moments where it is clear that God is lurking in the background; and Big Love has introduced a popular audience to the intricacies of the Church of Latter Day Saints.  But shows like The Tudors and The Borgias go one step further and teach a lesson about what religion, and the political struggles that revolved around the evolution of Catholicism and Protestant dissent actually have to do with how world history unfolded.  A keen watcher of The Tudors, for example, would think about how one lived from day to day in a culture that was framed by the mandatory celebration of key moments in the life of Christ.  No sooner was Christmas over than one began prepping for Lent; following Easter, the various days of obligation and days of ascension never stopped until a good Christian was getting ready for Advent and gearing up for Christmas again.  As the series progressed, moreover, a non-specialist understood that casting doubt on the deference of Kings to the Pope pretty much put every other fixed principle in play, particularly the "natural order" of gender that would ultimately result in England getting her first Queens and the eventual rule of commoners over both church and crown.

So far the most interesting thing I have learned from The Borgias, other than how to kill people with whatever tools the fifteenth century made available, was that back then the Pope had to be examined after the election to make sure he was actually a man.  This had to be one of the worst jobs in Rome:  crouching under a cleric's icky business to make sure he had, as the examiner announced,"Dos testiculos" (this was how they put it on Episode One) or "two balls, and they are well-hung," as I have found it described on several web sites. There is some disagreement as to whether this ritual actually happened or not:  apparently this had to do with Pope John VIII, a superb intellect elected in 855, who turned out to be Pope Joan. Rumour has it she was discovered after she gave birth in the street during a papal procession and was executed, with her lover, on the spot.  (I know:  scholars who really know this field are going to ask me why I would go to a website called Papal Trivia:  Fun Facts About the Popes for my information.)

Like The Tudors, The Borgias is also about how political structures and organized crime are more or less interchangeable forms of domination. The latter show is particularly striking in this regard, as the actors keep dropping family names that we are actually familiar with from The Sopranos. In other ways, The Borgias is just another juiced up soap opera that makes it clear how difficult it is to run a family when you are responsible for the spiritual and political fate of the known world.  This responsibility requires dropping several bodies in every episode.  In episode four, we see a garroting ("you use a cheese cutter," the assassin explains to Cesare, who has never seen someone dispatched this way), a stabbing, a snapped neck, and a poisoning gone wrong that has to be finished off with an inexpert smothering.  These things must be done, there is no question, lest the Church fall into the grip of folks like, say, the Medecis, who in 1492 were still running a bank in Florence and biding their sweet time.

One of the show's signature moments, used in all the ads, has Rodrigo staring into the camera (this is early in the first episode, right after Cardinal Borgia has given Cesare his marching orders for how to buy the papacy) and murmuring intensely:  "I will not forgive failure!"  This sums it up:  what responsible father of successful children would forgive failure?

Sunday, March 29, 2015

Tuesday Found Objects: What You Need To Subpoena From My Zenith Computer Today

I was hanging out this morning using my university computer to download BDSM pornography and order Angela Davis posters (paid for out of my research account, of course) when I decided to take a break and check up on what my other radical colleagues were doing.

They've been busy!  So without further ado:
  • The Facts, Ma'am.  Jon Wiener, from his perch at The Nation, asks:  "What does it take to become the target of this kind of attack?"  Wiener points out that Cronon is "not Bill Ayers," but a self-avowed political centrist who published "a simple fact" that Republicans in Wisconsin did not want revealed:  their close ties to a group that drafts union-busting legislation and creates public relations strategies for passing that legislation. This fact, Wiener argues, "disrupts the Republicans’ explanation of what they are doing in Wisconsin. They say the new law there ending collective bargaining with public employee unions is an emergency response to this year’s fiscal crisis." However, "the goal is not to protect the little guy in Wisconsin but rather to help the big corporations that fund Republican operations."  Read the whole article here.  
  • It's Being A Professor Who Thinks That Is The Problem.  One issue that we need to resurrect is the neo-liberal charge that tenure promotes the prolonged employment of "dead wood" professors.  Clearly, it is Cronon's failure to become dead wood that has made him notorious and, as it turns out, dead wood profs aren't the ch!cks and d00ds that some right-winger wants to light up after all.  No, no: some poor, defeated old sot, shuffling off to class with a tattered little set of notes after a nip too many turns out to be our ideal scholar.  Tony Grafton, that guy you saw flying by your office window in a red cape, and with a big "H" on his scholarly chest, nails it in the New Yorker blog when he reminds us that, unlike politicians, historians are responsible for researching and relating the truth, and the truth sometimes hurts.  As Grafton concludes, "the Republicans seem remarkably fragile. A professor writing a blog post gives them the shivers. It’s a good thing they chose politics, and not the kind of career where the going can really get rough. Professors, for example, teach their hearts out to surly adolescents who call them boring in course evaluations and write their hearts out for colleagues who trash their books in snarky reviews. These Wisconsin Republicans may never have survived ordeals like that. Happily, Cronon has been toughened by decades of academic life. He’ll be blogging—and teaching and writing—long after Wisconsin voters have sent these Republicans back to obscurity."  
(Which reminds me that I have students standing around my office door growling in a menacing way and shaking pitchforks at me as a reminder that I should be using my Zenith computer to get their grading done right now!)  OK, one more:
  • Yes, Historians Actually Care About The Rights Of All Working People.  Eileen Boris is in the business section of the HuffPo this week, which you probably missed as you were clicking through to the ads for package tours to Cuba.  Boris asks us to celebrate Women's History Month and commemorate the Triangle Factory Fire by reminding ourselves that the vast majority of working class women, and men, are no longer employed in an industrial workplace.  While guaranteeing the basic employment rights of household workers are becoming the subject of new legislation, Boris points out, "one group of household laborers remains apart -- those paid by governments to care for needy elderly and disabled people. The California proposal explicitly excludes In Home Supportive Service workers, the type of worker whose omission from federal law the Supreme Court upheld in 2007 and the Obama administration has yet to rectify through new labor regulations. Meanwhile, Republican governors, as in Wisconsin, are eliminating collective bargaining for home care workers. An irony of current struggles might be that these public employees end up with fewer rights and poorer conditions than those who labor for individual housewives." 
As Women's History Month draws to a close, we at chez Radical admit that we have done little to celebrate it, so here's my proposal:  I would like to nominate Bill Cronon as an Honorary Woman.  This is one of the few awards available to historians that he has not received, and I think it is time.  Do we have a second?  Thank you, Historiann!  All in favor?

The aye's have it!  Sorry, Wisconsin GOP.  You lose again!